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The Skinner
Barn Theatre Company under the direction of Peter
Boynton, will enter it's 8th season in 2007.
Our 2000 Sesaon
The Complete Lost Works Of Samual Becket As Found In
An Envelope (partially burned) In A Dustbin In Paris Labeled "Never
To Be Performed. Never. Ever. Ever!Or I'll Sue. I'll Sue From The
Grave!!"
-a Theater Ooblek/Neo Futurist Production
- performed by Ben Schneider, Danny Thompson and Greg
Allen
Broadway Cabaret Series
- performed by Peter Boynton, Marsha Gillette, Judy Milstein, Betsy
Jessie with Tim Guiles on piano
The He/She Parables
- performed by Peter Boynton and Judy Milstein with Tim Guiles on
the piano
Our 2001 Sesaon
An Apology For The Course And Outcome Of Certain Events
Delivered By Doctor John Faustus On This His Final Evening
-written by Micky Maher
-performed by Ben Schneider and Colin O'Reilly
Broadway Cabaret Series
- performers: Peter Boynton, Marsha Gillette, Sean McGuirk, Judy
Milstein, Betsy Jessie with Tim Guiles on piano
Our 2002 Sesaon
The Building I Couldn't Blow Up In My Dreams
-written and performed by Cat Carr
Workshop For Dead People
-written and performed by Cat Carr
Broadway Cabaret Series
- performers: by Peter Boynton, Nick Corley, Suzan Postel, Marsha
Gillette, Wendy Fuller, Judy Milstein, Betsy Jessie with Tim Guiles
on piano
Our 2003 Sesaon
Book and Lyrics by Alfred Uhry
Music by Robert Waldman
Based on a novella by Eudora Welty
> NEW! Web
Photo
Album <
| Production Staff |
 |
Cast |
|
Musicians |
| Producer |
Peter Boynton |
Jamie Lockhart |
Peter Boynton* |
Keyboards |
Tim Guiles |
| Director |
Nick Corley |
C. Musgrove |
Joe Garofalo |
Atlantic Crossing: |
|
| Musical Director |
Tim Guiles |
Salome |
Judy Milstein* |
Fiddle 1 |
Peter Macfarlane
|
| Stage Manager |
Nick Corley |
Rosamund |
Corliss Preston* |
Fiddle 2 |
Vivika Fox
|
| Tech Director |
Gib Geiger |
Little Harp |
David Warner |
Banjo/Mandolin |
Brian Perkins
|
| Choreographer |
Peter Boynton |
Big Harp |
Doug Bergstein |
Guitar |
Rick Klein
|
| Box Office |
Darine Avedisian |
Goat |
Julian DeFelice |
plus: |
|
| Wardrobe |
TBA |
Goat's Mother |
Andrea Maas |
Fiddle 3 |
Ellie Blachly |
| MTI Lisaon |
Michele Aldin |
Airie |
Micaela Mendicino |
Bass |
Mitch Barron |
| AEA Rep |
Tom Kaub |
Raven |
Erin King |
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Innkeeper |
Gib Geiger |
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*Members of |
Actors Equity Assoc. |
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_________________________________________________________________________________________________________________________ Our 2004 Sesaon
'Songs For A New World' - August 4th
to August 15th
Music & Lyrics by Jason Robert Brown
Wednesdays through Sundays at 8 PM
| Production Staff |
|
Cast
|
|
Musicians |
| Producer |
Peter Boynton |
Peter Boynton
|
Piano |
Jono Mainelli |
| Director(s) |
Danielle Sertz |
Wayne Hobbs
|
Bass |
Peter Williams |
| Musical Dir. |
Jono Mainelli |
Wendy Fuller
|
Percussion |
Cody Sargent
|
| Stge Man |
Danielle Sertz |
Andrea Maas
|
|
|
| Tech Dir. |
Blair Reichenberg |
Judy Milstein
|
|
|
| Staging |
Danielle Sertz |
|
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| Box Office |
Darine Avedisian |
|
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| Wardrobe |
TBA |
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> NEW!
Web
Photo
Album <
_______________________________________________________________________________________________________________________________
Our 2005 Sesaon
2005
Season:  'Bat
Boy: The Musical' - August 3rd to August 14th
Wednesdays through Sundays at 8 PM
Admission $15
Freak.
Menace.
Abomination.
These are the labels that haunt the creature
we have come to know as Bat Boy. Documented extensively by the Weekly
World News, the Bat Child is known to most simply as a dangerous
accident of nature.
Mother Nature was not kind to Bat Boy, to be sure, but is he truly dangerous?
Did he really attack that little girl in Florida? If so, was it without
provocation? Was his 13-state reign of terror simply a vicious animal's
idea of fun--or was it, perhaps, the result of an unspeakable horror
inflicted upon him in the laboratory from which he fled?
Perhaps we will find in Bat Boy neither a freak, nor a menace, nor an
abomination. Perhaps, if we look closely enough and without the protection
of our prejudice, we will see more than pointy ears and razor-sharp teeth.
Perhaps we will find that the Bat Child is a more familiar animal than
he first appears. Perhaps we will see in Bat Boy not what is wrong with
Bat Boy--but what is wrong with ourselves.
Exploring such complex and controversial terrain will not be easy, but
the Weekly World News has never shied away from the truth, and neither
shall BAT BOY: THE MUSICAL, opening in August at The Skinner Barn Theater
in Waitsfield, VT.
|
| Story
and Book by Keythe Farley and Brian Flemming |
Music & Lyrics
by Laurence O'Keefe
|
| Production
Staff |
|
Cast |
|
Musicians |
| Producer |
Peter
Boynton |
Bat
Boy |
Matt
Bailey |
Keyboards |
Jono
Mainelli |
| Director |
Nick
Corley |
Dr.
Thomas Parker |
Peter
Boynton* |
Bass |
Russ
Flynn |
| Musical
Director |
Jono
Mainelli |
Meredith
Parker |
Lauri
Landry* |
Guitar |
David Sleininger
|
| Stage
Manager |
Patty
Williams |
Shelley
Parker |
Micaela
Mendicino |
Drums |
Cody
Sargeant
|
| Set
Design |
James
McNamara |
Sheriff
-Reverend |
Joe
Garofalo |
|
|
| Choreographer |
Nick
Corley |
Ron
Taylor |
Matt
Trollinger |
|
|
| Asst. Choreographer |
Alex Kilgore |
Rick
Taylor |
Jake
Smith |
|
|
| Lighting |
James McNamara |
Lorraine |
Alex
Kilgore |
|
|
| Wardrobe |
Meredith
Magoun |
Mrs.
Taylor-Maggie |
Ann
Harvey |
|
|
| Sound Technician |
John Holden |
Ruthie
Taylor-Ned |
Shaina
Taub |
|
|
| Props |
Patty Williams |
Bud,
Dr. #2, Institute Man |
Doug
Bergstein |
|
|
| Box Office |
Darine Avedisian |
|
Roy |
Billy
Hannon |
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*appearing
courtesy of |
Actor's
Equity Assoc. |
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Our 2006 Sesaon
 Sea
Marks by Gardner McKay
Sea Marks tells the story of Colm Primrose, a lonely Irish fisherman
blessed with ''a touch of the poet.'' Colm is discovered by Timothea Stiles,
a lowly but ambitious Liverpool publishing-house employee who has been
his romantic pen pal ever since they met at a wedding. After Timothea secretly
arranges to publish Colm' s correspondence as a book titled ''Sea Sonnets,''
the fisherman moves to Liverpool to share his sponsor's bed and start a
new career as ''the Irish Robert Frost.'' Under the direction of Nick Corley,
this production features songs and instrumental music by Vermont's own Atlantic
Crossing.
| Production
Staff |
|
Cast |
|
Musicians |
| Producer |
Peter
Boynton |
Colm
Primrose |
*Jim
Price |
Guitar |
Rick
Klein |
| Director |
Nick
Corley |
Timothea
Stiles |
*Kate
Kearny-Patch |
Fiddle |
Vivika
Fox |
| Stage
Manager |
Ann
Harvey* |
|
|
Fiddle |
Peter
McFarlane
|
| Set
Design |
Nick
Corley |
|
|
Mandolin |
Brian
Perkins
|
| Lighting |
James
McNamara |
|
|
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|
| Wardrobe |
Ellie Blachly |
|
|
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|
| Sound Technician |
|
|
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|
| Props |
|
|
|
|
|
| Box Office |
Darine Avedisian |
* courtesy
of Actor's Equity |
|
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|
 The
Last Five Years by Jason Robert Brown
A fresh and contemporary musical from Tony-Award winning composer Jason Robert
Brown, The Last Five Years chronicles a young couple's romance in
a new and exciting way: her story starts at the end of their relationship;
his begins on the day they met. Funny and uplifting, the show captures some
of the heartbreaking and universally felt moments of modern romance. The Commons
Group is proud to present this compelling work by the composer of our 2004
production, Songs For A New World. The Last Five Years is
performed by Andrea and Piero Bonamico, with musical direction by Tim Guiles.
| Production
Staff |
|
Cast |
|
Musicians |
| Producer |
Peter
Boynton |
Cathy |
Andrea
Bonamico |
Piano |
Timothy
Guiles |
| Director |
Andrea
Bonamico |
Jamie |
Piero
Bonamico |
Bass |
Peter
Williams |
| Stage
Manager |
Peter
Boynton |
|
|
Guitar |
Peter
Mathews
|
| Set
Design |
Andrea
Bonamico |
|
|
Cello
I |
Kevin
Charlestream
|
| Lighting |
James
McNamara |
|
|
Cello
II |
Marc
Estrin
|
| Wardrobe |
|
|
|
Violin |
Patricia
Fitzgerald
|
| Sound Technician |
|
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|
| Props |
|
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|
| Box Office |
Ruth Ann Pattee |
* courtesy
of Actor's Equity |
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